Rolling Stone Cover of Sarah Michelle Gellar / Rolling Stone Magazine Vol. 783, April 2, 1998, Movie Print by Mark Seliger Review

Rolling Stone Cover of Sarah Michelle Gellar / Rolling Stone Magazine Vol. 783, April 2, 1998, Movie Print by Mark Seliger
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You do not have to spend a long time debating the merits of an 8 x 10 print of the cover of the April 2, 1998 issue of "Rolling Stone," with presents a picture of Sarah Michelle Gellar taken by Mark Seliger, because that is just the hook here. The line is that your cover reprint comes with a 12-issue subscription to the magazine (if you want to figure out the savings, then read above where they do the math for you). The sinker will come when they contact you about extending your subscription. But if you are seriously into the contemporary music scene and other aspects of popular culture, "Rolling Stone" is still on the short list of "must read" magazines.
If you actually have issue 783 of "Rolling Stone" magazine then you can read Jancee Dunn's article on Gellar, based on interviews conducted at least in part at the Getty Museum in Los Angeles. They do her name up in an interesting way: The letters in SARAH are capitalized, alternating black and white, with the A's upside down and lowered. About the upside down, lowered, white A's appear "Michelle" and "GELLAR." The story presents Gellar, then twenty years old, as eminently practical, a non-smoker with a brown belt in tae kwon do who is always early, avoids fried food, has never done drugs, and she is unabashedly girly. More importantly, by the end of the article she has a one-inch tattoo of the Chinese symbol for integrity on the small of her back. The article chronicles Gellar's career from playing Kendall Hart on "All My Children," to her success with "Buffy the Vampire Slayer," and her first foray into feature films with "Scream 2," "I Know What You Did Last Summer," and the (then) soon to be released "Dangerous Liaisons." Fans of "BtVS" will find the story about Gellar being terrified about being buried alive in a cemetery pretty interesting (fake cemeteries are better than real ones for obvious reasons).
I have a slight preference for Gellar's cover shot on the May 11, 2000 issue of "Rolling Stone," about "Buffy Power," (as opposed to "Slay Lady Slay" for this one), but my favorite "BtVS" cover is the one for the September 7, 2001 issue of "Entertainment Weekly." But a "Rolling Stone" cover is a pretty good gig. Look at what it did for Jim Morrison and he had been dead for years when "Rolling Stone" did their "He's Hot, He's Sexy, He's Dead" cover.

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For the first time ever, directly from the vaults of Rolling Stone, own a piece of Rock and Roll History while staying plugged into what is happening now in the world of pop culture as only Rolling Stone can deliver. Purchase a reprint of a Classic Rolling Stone cover and receive 12 issues of Rolling Stone. For new subscribers this means 12 issues to see why Rolling Stone Magazine has been the official Rock And Roll chronicler for over 3 decades. For existing subscribers this means 12 additional editions extending your current subscription.

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